春秋大刀在李洪春关公戏中的运用
The Use of Sword in Li Hongchun’s Play
投稿时间:2016-06-28  
DOI:
中文关键词:关羽  武圣  春秋大刀  李洪春  关公戏
英文关键词:Guan Yu  Saint of War  broadsword  Li Hongchun  drama with Guan Yu as the major character
基金项目:
作者单位E-mail
乔冉 自由撰稿人 qiaoran2014@126.com 
李孟嘉 北京京剧院  
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中文摘要:
      采用历史文献法、专家访谈法和田野调查法,梳理了关羽“武圣”地位的确立过程,其春秋大刀在后世各武术门派中的流传情况,以及关王刀在戏曲中的运用。在最初的关公戏中,春秋大刀是用来摆而不是用来舞的,精通通背、形意和八卦的南派艺人王鸿寿将武术中的《春秋刀谱》融入戏曲当中,令春秋大刀在舞台上动了起来,其徒李洪春在继承他大刀的舞台程式后,又结合家传武术,以及其师武术家孙文奎的关王十三刀,演化出舞台上别具一格的春秋刀法,这也令其获得了“红生宗师”的美誉。
英文摘要:
      This article uses the methods of historical literature, expert interview and field research to discuss the establishment process of Guan Yu's position of "Saint of War". His style of sword was handed down to the later different wushu schools and the use of his Guan Wang Sword in the operas. At first, in the plays of Guan Yu, his sword was put on the stage and was not to be wielded. Wang Hongshou, a Southern school artist, who was a master of tongbei, xingyi and eight diagrams, combined the use of broadsword with the operas. This helped the broadsword to be wielded on the stage. Li Hongchun, his apprentice, after inheriting Wang's stage performance of sword, created his special way of wielding broadsword on the stage, combining with his family wushu and the way of playing sword by Sun Wenkui, a famous wushu master. This won the high reputation for him.
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