“武、巫、舞”的融合与分解：非洲武技与中国武术差异性释例

Integration and Decomposition of the Three WUs: Difference between the Chinese and African Martial Arts Conceptions

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英文关键词:African martial arts Chinese martial arts martial arts culture dissimilarity

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作者	单位	E-mail
Tailing Tene Rodrigue（喀麦隆）	上海体育学院武术学院	873271173@qq.com

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中文摘要:

从非洲文化的角度介绍“非洲武技”（或“非洲武艺”）的概念，描述非洲人对格斗术的理解并提出“非洲武技”的“武、巫、舞”概念，即将格斗、巫术和舞蹈的三位一体视为“非洲武技”的核心。另外，简要对比非洲武技与中国武术两个概念，以显出二者的相似与差异之处，便于促进中非文化理解。最后简单介绍了“非洲武技”中比较为有代表性的格斗术如Engolo、Dambe、Laamb、Donga以及 Zulu Stick Fighting（祖鲁棍法）。

英文摘要:

The article introduces the concept of African martial arts from the angle of African culture, depicts the understanding of the Africans toward combat skill and puts forward the concept of "Wu, Wu, Wu", namely a trinity of combat, witchcraft and dance, which is the core of African martial arts. It briefly compares the two concept of African martial arts and Chinese martial arts so as to reveal the similarity and dissimilarity of the two and understand the Chinese culture and African culture better. At last, the article briefly introduces some representative combat skills in African martial arts such as engolo. dambe, laamb, donga and Zulu stick fighting.

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